
Websites · SEMAD-GO and Unicamp
Website for the Campos do Cerrado project
A website showing that native grassland is not empty land: little text, plenty of images and different paths for teachers, researchers and curious visitors.
- Client
- SEMAD-GO and Unicamp
- Year
- 2023 to 2024
- Territory
- Goiás
- Format
- Institutional and educational website

The challenge
The Cerrado's native grasslands suffer from a perception problem. Conserved and degraded grassland look alike, the plants are small and go unnoticed, educators lack teaching materials and the public doesn't feel part of that landscape. The SEMAD-GO and Unicamp project needed a website that would inform without tiring the reader and serve very different audiences, from specialists to children.
What we did
What we delivered
- Benchmark and user research
- Map of pain points and solutions by audience
- Sitemap and wireframes in four versions
- Style guide
- Page layouts
- Development and publishing support
We started with research. We analyzed benchmark websites from around the world and mapped each audience's pain points: teachers without materials, researchers far from practice, tourists without information, artists without a space. This led to an architecture that sorts visitors by intent, with areas to get to know the grasslands, download resources, understand the project and read stories from the field.
The design followed the visual identity Forest created for the project: large photographs, short blocks of text, illustrations of the species and the golden and green palette of the grasslands. The wireframes went through four versions before the style guide and the final layout. Forest also built the site and supported the department's team through publication.

Photos used on the website: André Dib and the Unicamp team.
See the full pieces
Outcome
The project gained its own address within the Goiás state government portal, bringing together the native grassland identification manual, the documentary and the project's stories.
“Thank you for your patience and, once again, congratulations on the high standard of your productions!”

